Spiegelneuronen by Stefan Kaegi
This piece is an experiment. Different in every performance. It is about the human brain and its relationship to the body. The audience is an essential part of the experiment, because it is invited not only to observe the creation of movement, but also to join in, and from its seats become an active part of a shared system, to experience itself as part of a kind of large brain.
A mirror is located where the stage normally is. It reflects not only the dancers, but also the entire audience like a gigantic selfie. The auditorium turns into the main place of action. In exchange with the dancers, the audience finds itself at the center of the movement and not only experiences itself in the »embodiment« of complex images, but also contributes to the choreography of the group. Through the mirror, the audience members observe themselves and the others while watching the experiment at the centre of which they are sitting.
Neuroscientists assume that control of our nervous system is not centralised, but that different areas of the brain communicate intensively with each other, similar to a computer network with algorithms. Even scientists can only speculate about how exactly this happens. New mechanisms are constantly being discovered. In the early 1990s, for example, mirror neurons were discovered: These supposedly cause the brain to be stimulated in a similar way, regardless of whether we do something ourselves or observe the same action in another person. Although difficult to prove in humans, mirror neurons could be a key to explaining empathy and mutual understanding.
The documentary research for this evening incorporates perspectives from brain research, biology, sociology and artificial intelligence, which the audience hears and experiences in a sound collage - perhaps even anticipates or evades. In this theatrical experiment, the relationship between the individual and the greater whole invites physical reflection on society, on a democratic version of a hyper-organism.
»Spiegelneuronen« is the first collaboration between Sasha Waltz & Guests and the documentary theatre label Rimini Protokoll. Following »remains« by Andrew Schneider in 2020, the dance company opens itself up to new styles and continues pursuing its interest in artistic research and cross-genre collaboration with international artists to expand its repertoire. Coming from very different backgrounds, both are interested in the unusual use of spaces and interdisciplinary work. Together with dancers from Sasha Waltz & Guests and the audience, Stefan Kaegi examines the relationship between the individual and society using the means of dance and a large mirror.
World Premiere
14 August 2024
Szene Salzburg